Writing Graffiti Style

You see it everywhere these days, from the fronts of T-shirts to the underside of bridges. You can buy coffee table books on the subject and even download fonts for your computer that attempt to emulate it. Graffiti art is everywhere, and there are as many different styles as there are individuals who use a can of spray paint and the side of a building as their medium. But there are some basic tag styles that can be emulated if you are trying to learn how to write graffiti style.

The most basic style of graffiti writing is also the simplest and most unornamented. The letters are usually shaped much like you would write them with a pen in a Roman type font where the letters don’t touch each other. This kind of work is commonly seen in long written works or as a signature on a larger piece of graffiti. It is the perfect place to start when learning graffiti writing, though, because anyone can do it.

The next step up in difficulty would be “throw-up” style, which incorporates the outlines of letters into the design.

This kind of tag can be done very quickly with practice because the letters can be squished together such that you can form a whole word with one fluid line. (It is probably best to practice on paper with a pen or pencil before getting out your airbrush gun.) A commonly appearing form of this style is the bubble style (which you’ve probably seen if you’ve ever known a teenage girl who doodled in her notebooks), where the outlines are large and look like bubbles, much curvier than a standard outline. Sometimes bubble style takes a little longer than other outline forms, and it can be more ornate than other types of outlining.

Once you have mastered these basics, you’re ready to move on to “semi-wild” style. This is where the fun of graffiti writing comes in, where you can really show off your personality in your designs. This is a style where the letters begin to get squished, stretched, tilted or twisted. There is a lot more ornamentation (arrows, bars, starbursts, etc.) surrounding (and as part of) these letters than in the more simple styles. The letters are usually still readable in semi-wild style, even for people who are not well-versed in graffiti writing.

If you want to try semi-wild out for yourself, pick a simple word (like your name). Write out the letters as you normally would (not in cursive, just in block letters or a plain style). Write it again in an outline or bubble style. You may want to try several different kinds of lettering, from big and bubbly to straight and block. As you do this, think about how the letters fit together, or how they might be made to fit together. How would it look if you tilted the first letter out and laid it on top of the second letter, then put the third letter a little higher on the page but just touching the second? Then you could place the fourth letter under the third on its side, just sliding into that hole you made.

Maybe you could break up the letters (if you want to see how this could work and aren’t sure you can draw it, take simple outlines of the letters and cut them up, arranging them in different ways running in and out of the other letters. Maybe you could add an arrow to the end of the last letter of your name, or a star burst instead of the dot over one of the letters. You can embellish any way you want, that’s part of the fun.

From “semi-wild” style the classification moves to wild style, which is similar to semi-wild only with even more ornamentation and twisting of the letters. This style of tagging can be hard to read and looks more like a random, wrecked pile of letters than an easily distinguishable word. These pieces skirt the line between words used for the purpose of communication and letters (or the basic building blocks of letters, anyway) used more as art. (Of course art itself is a means of communication, but a different, less direct level.)

Obviously it takes a lot of practice to be able to do graffiti art with any skill, but once you get the basics down there are all sorts of variations and designs you can add to make a simple word into something a lot more beautiful. We already talked about using stars to dot letters. They can also be seen inside circles as a stand-in for an O or as part of the decoration. Hearts can also be used in place of O’s, and crosses in place of T’s. Serifs (or “tails” on the letters) can be exaggerated by being made into arrows, daggers, airplanes or other simple shapes.

Graffiti Wall Law Tagged Out

A LAWSUIT spurred by the fashion and video game designer Mark Ecko has at least temporarily won back for young New Yorkers (ages 18 to 21) the right to purchase spray paint and broad-tipped markers.

Some stern adults in the city are certain that the only reason any youngster would want to possess such art supplies is to add to New York's graffiti. The law, spearheaded by City Councilman Peter Vallone Jr., went into effect in January and was suspended in early May by a judge pending the outcome of Ecko's lawsuit. The ban still applies to New Yorkers under 18.

Don't Look Past Graffiti Art

Ever since I was little I have loved going to different cities and countries to learn from people and places that were different than what I was familiar with. My love for travel and for learning about different cultures only grew as I got older and eventually I went to university to study Urban and International Development. I chose this major simply because it would teach me about two of my favorite things: cities and other countries. I will never forget entering my first urban studies class and looking at the chalk board that said "Don't Look Past Graffiti Art." on it.

I rolled my eyes and wondered what kind of crazy situation I had gotten myself into with this class. I was intrigued that any real professor whose expertise is in urban studies would encourage let alone mandate that his students pay attention to the graffiti art that practically ruined the look and feel of many major cities in our country and around the world.

Techniques For Your Drawing Graffiti Art on wall

In particular the use of the bold style lettering is really distinctive to graffiti art. The images themselves will usually be hard hitting, and be painted in stark colours utilising strong shadows and outlines to add depth and definition. Images usually depict social or political issues close to the artist's heart.

Before you start a piece of graffiti art, you should draw a small scale version of the large piece you want to create first, then when you begin your actual piece, its a simple task of just scaling up your graffiti sketch.

Graffiti and Real Estate

As graffiti is usually a vandal's attempt at attracting attention to themselves, removing it as quickly as possible eliminates the satisfaction they receive knowing that people are viewing their name or whatever usually rude message they have left behind. If left alone, graffiti tends to multiply, as other vandals see the area as an easy target.

Therefore, especially in urban areas, but potentially anywhere, it is important that a property owner keep a can of paint on hand that matches their building's exterior color. Conducting a regular tour of the outside of the building, and requesting employees or tenants to inform you immediately if any graffiti is visible, will make sure you can nip any problem with this form of property vandalism in the bud before it becomes a major problem.

It is sometimes controversial whose responsibility it is to clean up graffiti: a property owner or city officials. While many cities conduct graffiti clean-up programs, these often happen only once or twice a year.

In addition, the volunteers or city staff responsible for the effort will likely only choose one or two colors with which to paint over graffiti, leaving an unsightly paint mark that isn't much better than the original eyesore—the graffiti. Therefore, while I would encourage any city to go forward with such graffiti clean-up measures, I assert that any responsible property owner will take removing graffiti upon themselves, and do it in a timely and affective manner.